What
if you were knocked
back to your childhood
and had “do-overs”
at everything
— an opportunity
to re-live your
triumphs, avoid
your most embarrassing
mistakes, take
revenge on enemies,
and right a thousand
wrongs that have
troubled you throughout
your life?
Such questions
have never occurred
to Jonathan Halifax,
a computer consultant
winding up a summer
vacation in the
Hamptons on Labor
Day weekend in
1985. But his
wife’s discovery
in the family
scrapbook of a
childish drawing
of stars strikes
him as a dangerous
omen — especially
when she points
out the message
scribbled beneath,
in his mother’s
handwriting: “Not
what he seems
— he is
a Communist.”
And after that
... well, you’ll
have to read the
story for the
details, but you
can expect to
be taken on a
series of unpredictable
tours back and
forth across the
United States,
and back and forth
through the 1950s
and the 1980s.
I wrote the first
draft of this
novel in 1992;
a subsequent draft
was rejected by
a couple dozen
literary agents
in 1993. Aside
from whatever
criticisms they
had of the story’s
content, many
of the reviewers
were clearly annoyed
by my departure
from the normal
style of writing
and submitting
a fiction manuscript.
I had typeset
the material,
with multiple
type fonts (for
reasons you’ll
understand if
you read far enough
into the document);
they didn’t
like that, and
insisted that
I produce something
that resembled
a double-spaced
typewritten document,
in Courier type.
I had embedded
photographs in
the manuscript,
which led one
agent to remark:
“Pictures
are for comic
books.”
I had included
footnotes about
various bits of
historical detail
that I thought
some readers might
want to read,
but others might
want to skip;
this, too, was
declared unacceptable
Though I understood
that “packaging”
of a literary
submission could
be almost as important
as the contents
within the package,
I was disappointed
and frustrated
by the demands
to remove so much
of the material
I had worked hard
to include. As
it turned out,
the manuscript
was rejected by
a couple dozen
more agents even
after I had re-packaged
it in the traditional
form; and by early
1994, I decided
to put it aside
and return to
my “day
job” of
computer consulting
and writing technical
computer books.
But then the World
Wide Web appeared,
and I began toying
with the idea
of a multi-media,
hyper-text novel.
As you’ll
see by looking
at the organization
of this HTML page,
the main story
— on a chapter-by-chapter
basis —
is presented in
the central frame.
From time to time,
you’ll see
footnote-style
hyperlinks embedded
in the material;
you’re welcome
to skip them,
but if you click
on them, you’ll
find some commentary
about interesting
historical trivia
of the time period
when the story
takes place. You’ll
also see “normal”
hyperlinks embedded
in various parts
of each chapter,
which will take
you — in
true “surfing
the ’Net
style —
off to various
parts of the Web
that provide additional
information on
people, places,
or things mentioned
in the story.
Since the story
takes place during
a decade that
most of us have
long forgotten
(and many readers
are too young
to have experienced
at all), I’ve
provided links
in the bottom
frame to summaries
of major political
events, sports
events, and other
“factoids”
of interest in
the specific time-period
for each chapter.
Any
suggestions for
improving the
content or
the presentation
of the story will
be gratefully
accepted. Meanwhile,
happy reading...